“Using two cameras, you’re replicating human vision,” said stereographer (camera technician) Campbell Goodwille. “And by moving the cameras further apart or closer together, you exaggerate or lessen the 3D effect. It’s almost like a volume control for 3D. If you’re shooting a little insect, the cameras might be 5 or 10 millimeters apart, whereas if you’re shooting a landscape you might have them a couple of feet apart. And that’s about getting apparent depth in stuff you don’t normally see. When you look at something a long way away, you don’t get much stereo [depth] effect so we exaggerate that for the screen.”
Speed lies at the heart of the project.
via wired.com
Recent Comments